Past Events – Compositions
| Title | Performer | Venue / Presenter | Date |
|---|---|---|---|
| if the universe is in movement and not at rest… [version for solo double bass and live electronics] | Bassist: Chiu Yung Chan Dancer: Lesly Avendaño Choreographer: Yanaëlle Thiran Sound Engineers: Lawrenace Casserly, Matt Saunders | Colourscape Music Festival, Watford, London | 25 Aug 2024 |
| Of Openings, Non-endings… | Hong Kong Philharmonic Orchestra, Jung-Ho Park (conductor) | Freespace, West Kowloon Cultural District | 25 May 2024 |
| Waldszenen (work-in-progress) | Hong Kong New Music Ensemble | The University of Hong Kong, as part of their composer symposium | 22 May 2024 |
| Katabasis | N/A | MANTIS Festival 2023 x 12th International Conference of Music and Sonic Art (MuSA), supported by the Royal Music Association @ University of Manchester | 28 – 29 Oct 2023 |
| if the universe is in movement and not at rest… [version for solo double bass and live electronics] | Chiu Yung Chan. Produced by Stomping Ground Collective | Treadwell’s Books, London. Presented by Bloomsbury Festival | 13 Oct 2023 |
| Garden Unlocked [version for 1 musician & 2 dancers] | Josh Law (viola), and dancers from Company Concentric (Sara Augieras, Lesly Avendaño) | The Horton, Epsom | 10 Oct 2023 |
| Sharing at Doctoral Research Symposium | NA | Guildhall School of Music and Drama | 29 Mar 2023 |
| if the universe is in movement and not at rest… [version for solo double bass and live electronics] | Chiu Yung Chan. Produced by GSMD’s New Music Society | Create + Destroy Studios, London | 25 Mar 2023 |
| if the universe is in movement and not at rest… [version for 5 double basses] | Players from the Hong Kong Philharmonic Orchestra | Grand Hall, University of Hong Kong | 5 Mar 2023 |
| Shoreless Shores… Transcription for Accordion and Orchestra [Work-in-progress sharing] | Flávio Rodrigues (accordion); Guildhall students | Silk Street Music Hall, London | 11 Feb 2023 |
| Garden Unlocked [Official World Premiere; version for 3 musicians & 3 dancers] Click here for review. | Company Concentric, Ensemble Matters | Goodenough College, London / Bloomsbury Festival | 19-21 Oct 2022 |
| Garden Unlocked – Residency & Work-in-progress Sharing [version for 1 musician & 2 dancers] | Company Concentric, Ensemble Matters | P.A.R.T.S.: School for Contemporary Dance, Brussels | 17-19 Aug 2022 |
| Katabasis | NA | Young Lion*ess of Acousmatic Music International Competition Finalist Concert | 26-31 July 2022 |
| Garden Unlocked (work-in-progress showcase) [version for 2 musicians & 3 dancers] | Ensemble Matters, Company Concentric | The Horton, Epsom | 16 Jun 2022 |
| Rachmaninoff’s Isle of the Dead (chamber arr.) | Ensemble Matters | St. James’s Church, Piccadilly, London | 3 Nov 2021 |
| Katabasis [Premiere] | NA | Bloomsbury Festival Conway Hall, London | 22 Oct 2021 |
| Rachmaninoff’s Isle of the Dead (chamber arr.) [Premiere] | Ensemble Matters | Conway Hall, London | 22 Oct 2021 |
| Romantic Remnants – Music for Dance, Motion Graphics, Visual Art | Ensemble Matters, Company Concentric | Hot Air Music Festival, San Francisco (Online) | 7 March 2021 |
| Schumann’s Kinderszenen Op.15 (chamber arr.) | Ensemble Matters | Bloomsbury Festival Encore Series (Online) | 8 – 14 Feb 2021 |
| Romantic Remnants – Music for Dance, Motion Graphics, Visual Art | Ensemble Matters, Company Concentric | Bloomsbury Festival Encore Series (Online) | 8 – 14 Feb 2021 |
| Schumann’s Kinderszenen Op.15 (chamber arr.) | Ensemble Matters | Performance Hall, Royal College of Music | 27 Oct 2020 |
| Romantic Remnants – Music for Dance, Motion Graphics, Visual Art | Ensemble Matters | Performance Hall, Royal College of Music | 27 Oct 2020 |
| Schumann’s Kinderszenen Op.15 (chamber arr.) [World Premiere] | Ensemble Matters | Bloomsbury Festival (Online). Recorded at Great Hall, Goodenough College, London | 25 Oct 2020 |
| Romantic Remnants – Music for Dance, Motion Graphics, Visual Art [World Premiere] | Ensemble Matters, Company Concentric | Bloomsbury Festival (Online). Recorded at Great Hall, Goodenough College, London | 25 Oct 2020 |
| Gavotte Enigma – For Solo Cello [Premiere] | Jobine Siekman | “In Focus” Series by Royal College of Music (Online). Recorded at Amaryllis Fleming Concert Hall | 19 Oct 2020 |
| Unheard: Unseen [Premiere] | Locus Ensemble | Unheard Concerts, curated by Thomas Foster (Online) | 13 Aug 2020 |
| Corona – Electroacoustic Music for Film [Premiere] | NA | Youtube Premiere | 31 May 2020 |
| Digital Salon: Gavotte Reimagined Screening & Sharing | Cello: Eliane Soedirman; Dancer: Prachi Hota; Camera: Tony Jin; Editor: Alexandra Brandl; Producer: Ellan Lincoln-Hyde; Composers: Owen Ho/ J.S. Bach | Hosted by John Snelson and Goodenough College | 27 May 2020 |
| Glides [Premiere] | NA | Kensington Gardens Tree Project (Online) | Mar 2020 |
| Still Glides the Stream – For High Voice and Piano | Brian Parsons (tenor), David Pollard (pno) | AESS Prize – Winners Concert in conjunction with the London Song Festival. Hinde Street Methodist Church, Marylebone, London | 21 Nov 2019 |
| Time and Telos – For Clarinet Quartet [Premiere] | Lewis Graham (cl.), Eliza Scott (vln), Sergio Insuasti (vla), Jaclyn Rosenfeld (vc) | Recital Hall, Royal College of Music | 4 Nov 2019 |
| Variations – For Chamber Ensemble [Workshop] | Mad Song, conducted by Joshua Ballance | Aberystwyth Musicfest, Old College, Aberystwyth | 1-2 Aug 2019 |
| Wafted the Imprisoned Soul – For Brass Quintet [Workshop] | Blackweir Brass | Aberystwyth Musicfest, Old College, Aberystwyth | 31 Jul 2019 |
| Sonata Passacaglia – For Baroque Ensemble, Live Electronics & Pre-recorded Tape | Consort 21 | Amaryllis Fleming Concert Hall, Royal College of Music | 27 Jun 2019 |
| Trio – For Trumpet in B-flat, Guitar, and Double Bass [Premiere] | Eirian Lewis (gtr.), Nick Walker (trp.), Philip Nelson (db.) | Recital Hall, Royal College of Music | 14 May 2019 |
| Orchestral Movements [Workshop] | RCM Symphony Orchestra, conducted by Graham Ross, hosted by Mark-Anthony Turnage | Amaryllis Fleming Concert Hall, Royal College of Music | 8 May 2019 |
| Sextet – For Harp and Ensemble [Premiere] | RCM Composer’s Studio, conducted by Jonathan Cole | Recital Hall, Royal College of Music | 21 Mar 2019 |
| Divertimento – For String Quartet [Premiere[ | Eliott Bougant, Sherry Shen, Vanessa Hristova, Ekaterina Solomennik | Schott Music, London | 8 Mar 2019 |
| To No Time – For 10 Players [Premiere] | New Ensemble, conducted by Avi Taler | Recital Hall, Royal College of Music | 27 Feb 2019 |
| Der romantische Ursatz – For Voice and Piano [Workshop] | Lore Lixenberg and Joe Howston | West Parry Room, Royal College of Music | 23 Jan 2019 |
| Debussy’s la fille aux cheveux de lin (The Girl with the Flaxen Hair) [Orchestral arr.] [Premiere] | Goodensemble Orchestra conducted by Zhu Sun | Great Hall, Goodenough College, London | 19 Jan 2019 |
| Selections from Songs of Faded Leaves [Premiere] | Rosanne Lee (sop) & Timothy Wong (pno) | Foundation Chamber, University of Hong Kong | 24 Apr 2018 |
| Seesaw – Duet for Clarinet in Bb and Cello (Arranged for Clarinet in Bb and Marimba) [Workshop] | Ensemble Offspring | Rehearsal Room, University of Hong Kong | 27 Feb 2018 |
| Study I & II – For Solo Viola | Cornelia Petroiu | Filarmonica George Enescu, Bucharest, Romania | 26 Feb 2017 |
| Dialogue I – For Flute & Piano [Premiere] | Lydia Baldwin (fl.) & Krisi Smilovska (pno) | Cosmo Rodewald Hall, University of Manchester | 13 Dec 2016 |
| Study I – For Solo Viola [Premiere] | Sarah Keirle | Cosmo Rodewald Hall, University of Manchester | 25 Oct 2016 |